Like with all of the St. Louis International Film Festivals (SLIFF), the 26th version makes it very easy again to be overwhelmed by the number of films presented. Ready for this year’s astounding stats?
Over 2400 submissions, plus a few hundred films from distributors, sales agents and studios.
After careful vetting, these are the winners:
372 films from 64 countries
When I introduce SLIFF to someone who is not familiar with it, I tell them that this is a fantastic way to travel the world and a rare chance to watch films that will possibly never reappear in St. Louis (nor possibly in the US)…
… even if they are masterpieces!
And every year, such pieces make their way to SLIFF,
UNFORGETTABLE FILMS! (…)
“The film never can tell the truth, the truth is always unbearable.” — Ai Weiwei. My review: “Many words like ‘humanitarian crisis’ or ‘refugees’ conceal great human tragedies; the news channels remind us daily that despair is at our doors but everything remains abstract – overall we do not know. With the type of fearlessness that landed him in jail, the internationally renowned Chinese artist and activist, Ai WeiWei, insists though, as he often does, that we face reality, however disturbing it may be.
As someone whose family was exiled within China – like Tarkovsky, his father was a famous poet – Ai knows his topic well. But he is aware that the crisis is global – the result: a monument of a film, 23 countries in 140 minutes (out of 900 hours of footage) […]
[WITH 3 GEMS!!] Again, the St. Louis wow-festival is a trip! This year, SLIFF after 2300 submissions – not counting distributors and studio considerations – will screen 420 films from 72 countries! Below are *some* recommendations – I am missing many but my time is restricted at this time. 1.The good bets that I have not seen have no check marks. 2.Those I can vouch for are marked with an [X] 3. Those I very much appreciate: [X][X] 3.Those stand-outs, the gems, have an [X][X][X] …
November 5 – November 15 — The 2015 Whitaker St. Louis International Film Festival (SLIFF) – A UNIQUE CHANCE TO WATCH CINEMATIC TREASURES… films which, no matter how outstanding they are, often will not find a distributor in the U.S. Where else can you get to travel to 70 countries in 10 days through 447 films (97 narrative features, 86 documentary features, and 264 shorts)? Those I can already vouch for include Deep Web (opening night), Embrace of the Serpent, In Transit, The Fool/Durak, Sea Fog/Haemoo, Once in a Lifetime, In My Father’s House, Theeb, Three Windows and a Hanging, Dry, Eadweard, Court, Among the Believers, Hitchcock/Truffaut, The Last Mentsch, Armor of Light, Can You Dig This, Landfill Harmonic, Thao’s Library, Right Footed, Radical Grace, Something You Can Call Home, Cemetery of Splendor. Feel free to write for more info […]
Domenico Rosa for Il sole 24 ore… […]
“‘I and millions of Syrians feel depressed when we see that the killer of thousands of prisoners is left unchecked… I have risked my life and the life of my immediate family, and even exposed my relatives to extreme danger, in order to stop the systematic torture that is practiced by the regime against prisoners,” Caesar wrote. “What is it that you can possibly do to prevent the killing, especially since there are more than 150,000 prisoners in the jails of the regime awaiting this black fate?” – Caesar was photographing accident scenes for the military police when the Syrian conflict erupted. He and several fellow photographers soon found themselves photographing dozens of bodies a day, many of which displayed signs of torture. Convinced that he was documenting war crimes, Caesar downloaded copies of the photos on thumb drives, sneaked them out of his office and transferred them to a hard drive, keeping a grisly record of the deaths for more than two years. But when asked to train a successor, he became alarmed that the government might be on to him, and he defected, taking a hard drive that he says documents more than 10,000 deaths.” […]