For the month of November 2014, I have been invited to be one of a number of guests on this listserv of more than 1900 participants. Here is an excerpt from one of the organizers, Alan Sondheim: “The world seems to be descending into chaos of a qualitatively different dis/order, one characterized by terror, massacre, absolutism. Things are increasingly out of control, and this chaos is a kind of ground-work itself – nothing beyond a scorched earth policy, but more of the same. What might be a cultural or artistic response to this? How does one deal with this psychologically, when every day brings new horrors? Even traditional analyses seem to dissolve in the absolute terror that seems to be daily increasing. … we want less political analysis or politics for that matter, and more, a form of personal/cultural testimony that is rarely written. What of anguish? What of inconceivable torture? What of a planet tending wildly towards overpopulation, extinctions, local wars, starvations, all producing despair, breakdown, anomie? In other words – how does one sleep at night?… the very absence of discussion in general, about the interiority of absolute violence, opens the subject up here.” PLEASE JOIN IN […]Read More
Apparemment Onfray aime trop souvent simplifier pour “engager son public” – c’est bien dommage… Quelque fois cela peut-être utile, mais c’est un couteau à deux tranchants! Malgré une manière désastreuse d’épouser beaucoup trop vite les théories d’Hannah Arendt sur la “collaboration Juive” au Holocauste*, merci beaucoup pour la (ma) découverte de Günther Anders (cf. English bio by Harold Marcuse) et à quel point la critique de Guy Debord dans La Société du Spectacle s’inspirerait d’Anders, une critique décisive de la culpabilité de Heidegger, et le rappel que philosophie et vie ne devraient faire qu’un. (Lanzmann: “La première chose face à une catastrophe pareille, c’est l’humilité.”) – Liens Audio […]Read More
Support us in our protest against the Budapest monument planned to commemorate the German invasion of Hungary in March 1944. Reject the government’s abdication of Hungarian responsibility for the wartime treatment of Hungarian Jewish and Gypsy citizens in the course of the Holocaust … The symbolism of the piece is Prime Minister Viktor Orbán’s government’s attempt to whitewash history and ignore the fact that Hungary willingly, without coercion, joined the Second World War on the side of the German Reich … The present government has to take responsibility for the mass murder of its own HUNGARIAN Jews and Gypsies and not shift the entire blame on the invading Germans.[…]Read More
Where many of my father’s sculptures are in the Art Museum…
In 1941 about 3,400 Jews lived in Szombathely, nearly 10% of the population.
Starting in 1942, Jewish men were forced into (Hungarian) labor battalions with very few surviving the extermination (which is what it was – I just visited my 93 year old mother’s cousin in London: they were 600 to enter in 1941 with two of them coming back, my mother and her sister lost their first husbands there).
In May 1944, Jews were concentrated in the local ghetto. A few months later, between July 4 & July 6, 4228 Jews were deported from Szombathely to Auschwitz – about fifty Jews survived the Holocaust. […]Read More
What does it mean “to remember”? EVERYTHING IS ALWAYS NOW, BOTH THE PAST AND THE FUTURE. As per my “The Holocaust in 1,000 Years” presentation, it is clear that the future of that past is here to stay. Some reflections on the future of that past: 1. Ruth Klüger – A visitor who feels moved, even if it is only the kind of feeling that a haunted house conveys will be proud of these stirrings of humanity. And so the visitor monitors his reactions, examines his emotions, admires his own sensibility, or in other words, turns sentimental… turning away from an ostensible object and towards the subjective observer, that is, towards oneself. It means looking into a mirror instead of reality. […]Read More