by Pier Marton | Aug 13, 2013 | Asia, Death, Film, Highlights, History, Human Rights, Ideas, KeyFilm, Peace, Poet, Politics, Popular, Racism, Review, Spectacle, Time, Travel, US, Wars, Women, Youth
10 Questions to Joshua Oppenheimer at University of Indiana (March 2014) – BAFTA 2014 winner & Oscar nominated – “This movie is not gonna leave you until the end of your days,” says Werner Herzog, one of the producers. The filmmaker, Joshua...
by Pier Marton | Jul 20, 2013 | Asia, Cancer, Care, Death, Doc, Film, Food, France, Health, Humor, Mystery, Popular, Sci/Nat, Shoah
English Speakers Please use Google Translate in the right column to translate various articles. At the bottom of this page there is a TEDx Talk in English by Dr Indulal on Ayurveda and Cancer. Finally, the film has enough English to be understood by English speakers...
by Pier Marton | Jul 18, 2013 | Film, Podcasts(E), Review
– not part of my reviews – In parallel to Richard Brody’s column The Front Row… – much richer than a trailer – Get a (free) Weekly Overview of Major Films [available also as a podcast] . – Recent Samplings – Fake,...
by Pier Marton | Jul 13, 2013 | Film, Human Rights, Middle-East, Politics, Racism, Review, Site, STL, Wars, Women
[This review, on purpose, tries NOT to reveal much from the plot] From tolerance through empathy, compassion and understanding… a lot of (liberal) words are used to allow “the other side” to remain “other”; the question, though, behind...
by Pier Marton | Apr 24, 2013 | Books, Film, France, Humor, Idées, Music, Poet, Spectacle
With the release in France of a second film version of L’Écume des Jours – Mood Indigo – by Gondry (cf. below for the 1968 version) the marriage of two French zany authors is a done deal! Boris Vian (writer, poet, musician, singer, translator,...
by Pier Marton | Feb 24, 2013 | Death, Film, Review, Spectacle
After winning tons of awards like Cannes’ Golden Palms, the Cesars, the Oscars… one wonders whether everyone is blind to the fact that Haneke seems to focus on the obscene (what should be ob-scena, off stage?). He seems to delight in subjecting his...